The Innocence of Anna

Yesterday, my dad called in and delivered an unexpected surprise: an old newspaper article from 2001, written by two of my Transition Year classmates about the performance of my play, Waiting for Anna, in the Sacred Heart School. The paper itself is now tatty, dog-eared and smells damp, but the memory of that period of my life is as clear and fresh as if I were seventeen years old again.

 

waiting for anna 30007

Aforementioned Article published in the Offaly Express, 5 May 2001

 

A year before, I was sixteen, getting ready  to sit my Junior Cert with only a vague idea of what I wanted to do with the rest of my life. I hated study at the time (yes, believe it or not) and the prospect of going into fifth year made me feel sick.  So, in spite of the fact that I would be nineteen leaving school, a year older than 90% of my peers, I decided to do Transition Year and chill out. Little did I know that there’d be little chilling involved!

To get into Transition Year, there was an interview process. I was nervous and when it came to my turn, I was asked what skills I had to offer either by way of the Mini Company or other projects. Before the thought of writing a play had crossed my mind, the idea fell out of my mouth into the thoughts of Ms F, who was interviewing me to determine if I was a suitable TY candidate. Within twenty-four hours Ms H, the drama teacher, had sought me out and congratulated me on committing to write the TY play. It was madness. The only play I’d ever read was Romeo and Juliet, and I suppose Waiting for Anna does share similar themes: two teenagers falling in love against their parents’ wishes, running away to be together. Thankfully nobody dies; that’d be a tad extreme.

I set to work in the summer of 2000, spending all my time at the computer typing, composing, tittering to myself. I decided to have fun because I didn’t think anyone was ever going to actually read it, let alone play it out on stage. I got to know all the characters individually, each one based (and named after) someone I knew and loved. I laughed out loud, I sobbed into my chest. The first draft was completed on the 13 September 2000, at twenty pages long.

Writing Waiting for Anna was the most pure writing experience I’ve ever had. I had no perception of myself as a writer; it was just something I wrote. I never thought to edit or censor myself either, and all in all Ms H took very little out. Handing it over to be read by my classmates is one of the hardest things I’ve ever done. In the beginning, they  didn’t know I’d written it and felt free to pull parts of  the dialogue apart and make it their own, although these occurrences were rare. As the writer I was more than happy to walk away and leave my friends to their  own interpretations, but then Ms H insisted that I co-produce the play as well.

Anna consumed me. In many ways I became her. She was the unwitting victim of psychological and financial abuse at the hands of her boyfriend Tom, but this wasn’t a straightforward ‘good vs evil’ story. Tom’s life had been hard, whereas Anna came from a privileged background. Tom wasn’t evil; in fact he had a lot to be angry about: having to leave school early, losing his mother and bound to support his hapless, unemployed father. All he wanted was control over his life. And believe it or not, even though I wrote the bloody play, I can only understand Tom now, nearly sixteen years later.

And here I am, sixteen years later. trying to forge a career for myself in writing and finding myself envious of that confident seventeen year old who didn’t know any better. I miss her. She wasn’t self-conscious about every little thing that she wrote. She didn’t care who she offended as long as her message got out there. She would’ve had the confidence  to throw herself out there at the mercy of an unreliable audience.

She wouldn’t have hordes of short stories hidden away on her laptop, never to be read by anyone.

She would have finished her novel months ago without giving two flying figs how it would be received, if it made sense or if people would relate to the main character.

Some people become less self-conscious as they get older, but I seem to have become more so. A lot of it has to do with being a disabled parent, but that’s not the whole story. I’ve been told, both by people who know me and people who don’t, that their favourite blogs and stories of mine are ones where I share my own experiences. I do believe that the best writing has passion and personality and reveals a bit about the author, and yet doing so makes me nervous. Every time I press that ‘publish’ button up there, for a second I feel physically sick. Why do I do this to myself? What if I’m being annoying, repetitive, or coming across as self-righteous? Is it time to revisit the idea of getting a normal office job, and ignore the little voice that says I’m happier as a writer?

Obviously, owing to a lack of time-travel facilities, I’ll never be seventeen again, but hopefully that doesn’t mean that I can’t learn how to write again without the burden of self-consciousness.

As my friend used to say ‘what other people think of you is none of your business.’ Maybe, one day, I might fully agree with her.

 

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6 thoughts on “The Innocence of Anna

  1. Great to know where you journey with writing began 🙂 There’s no expectations when were young are carefree, don’t worry you are still that girl and your doing the best you can.

  2. Sarah, as one of the many people to see and thoroughly enjoy your play with its mixture of joy and sadness I can only tell you that you are still a brilliant writer so for goodness sake publish the book. I need something to read !!!!!

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